Androidスマートフォンで日本語読み上げ機能を有効化するには、スマートフォンの「言語設定」を日本語に切り替えて下さい。
To enable English reading on your Android smartphone, switch the language setting on your smartphone to English.
壁画「古今和歌集絵巻」の後半は、当時の歌会のしつらえから始まります。中央には、柿本人麻呂の影像が掛けられています。
（柿本人麻呂については、QRコード4番〔上代前半〕をご覧ください。）
伊勢、良峯宗貞、源融らが続き、最後は、東常縁から連歌師宗祇への古今伝授の場面で締めくくられています。
（柿本人麻呂については、QRコード4番〔上代前半〕をご覧ください。）
伊勢、良峯宗貞、源融らが続き、最後は、東常縁から連歌師宗祇への古今伝授の場面で締めくくられています。
The second half of the mural, 'Kokin Wakashu Picture Scroll,' begins with a depiction of people of the era preparing the space for a waka reading. A portrait of Kakinomoto no Hitomaro is hung in the center.
(For more information on Kakinomoto no Hitomaro, please refer to QR Code #4 [First Half of the Jodai Period]).
The scene is followed by depictions of figures such as Lady Ise, Yoshimine no Munesada, and Minamoto no Toru. The mural ends with the scene known as 'kokindenju,' in which To Tsuneyori orally passes on the interpretations of the Kokin Wakashu to the renga poet Sogi.
(For more information on Kakinomoto no Hitomaro, please refer to QR Code #4 [First Half of the Jodai Period]).
The scene is followed by depictions of figures such as Lady Ise, Yoshimine no Munesada, and Minamoto no Toru. The mural ends with the scene known as 'kokindenju,' in which To Tsuneyori orally passes on the interpretations of the Kokin Wakashu to the renga poet Sogi.
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