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To enable English reading on your Android smartphone, switch the language setting on your smartphone to English.
近世後期は、18世紀から19世紀はじめまでです。和歌の担い手が貴族から庶民に移ります。万葉調の「ますらをぶり」を主張した賀茂真淵とその門流からは、詩情を心のままに詠む近世和歌が出現します。また、京都の小沢蘆庵は「ただごと歌」を、蘆庵に私淑した香川景樹は「調べの説」を唱えました。景樹の門流の「桂園派」は、地下歌壇の中心となって明治に続いていきます。良寛もこの時代の人です。
■パネルの人物：香川景樹
明和５年（1768）生まれ、天保14年（1843）没。鳥取藩士の家に生まれ、堂上派地下歌道家の香川家の養子となりますが、のちに独立しました。『古今和歌集』を理想とし、自ずからあらわれる「しらべ」のある歌体を重視しました。
■代表歌
〈 うづみ火のにほふあたりはのどかにて昔がたりも春めきにけり 〉
〔意味〕灰の中の炭火が香りを立てて光る炉辺はのんびりとして暖かく、思い出話も（冬なのに）春のような雰囲気になることだ。
■パネルの人物：香川景樹
明和５年（1768）生まれ、天保14年（1843）没。鳥取藩士の家に生まれ、堂上派地下歌道家の香川家の養子となりますが、のちに独立しました。『古今和歌集』を理想とし、自ずからあらわれる「しらべ」のある歌体を重視しました。
■代表歌
〈 うづみ火のにほふあたりはのどかにて昔がたりも春めきにけり 〉
〔意味〕灰の中の炭火が香りを立てて光る炉辺はのんびりとして暖かく、思い出話も（冬なのに）春のような雰囲気になることだ。
The late early modern period spans from the 18th to early 19th century. It was during this time that the stewards of the waka form shifted from the nobility to the common people. The work of Kamo no Mabuchi and the schools of poetry that spun off from his work were exemplified by a robust, masculine style that took after the Manyoshu; early modern waka had a straightforward sensibility, with poetic sentiment being conveyed directly.
Meanwhile, Kyoto's Ozawa Roan developed the 'tadagoto' plain form, while Kagawa Kageki, himself influenced by Roan, proposed the theory of 'shirabe no setsu.' The Keien school of poetry which developed out of Kageki's work played a central role among Jige poets and continued into the Meiji period (1868-1912). Ryokan was also active during this era.
■ Person featured on panel: Kagawa Kageki
Born in 1768 and died in 1843. The son of a feudal retainer of Tottori Domain, he was adopted by the Kagawa family of Jige poets, but later became independent. He considered the Kokin Wakashu the ideal form of poetry, emphasizing a style that allowed a tone and intonation to naturally emerge.
■ Signature poem
うづみ火のにほふあたりはのどかにて昔がたりも春めきにけり
Explanation: The ashes in the charcoal fire give off an aroma, and the hearth is relaxing and warm. Despite it being winter, the memories we recall over conversation feel warm like spring.
Meanwhile, Kyoto's Ozawa Roan developed the 'tadagoto' plain form, while Kagawa Kageki, himself influenced by Roan, proposed the theory of 'shirabe no setsu.' The Keien school of poetry which developed out of Kageki's work played a central role among Jige poets and continued into the Meiji period (1868-1912). Ryokan was also active during this era.
■ Person featured on panel: Kagawa Kageki
Born in 1768 and died in 1843. The son of a feudal retainer of Tottori Domain, he was adopted by the Kagawa family of Jige poets, but later became independent. He considered the Kokin Wakashu the ideal form of poetry, emphasizing a style that allowed a tone and intonation to naturally emerge.
■ Signature poem
うづみ火のにほふあたりはのどかにて昔がたりも春めきにけり
Explanation: The ashes in the charcoal fire give off an aroma, and the hearth is relaxing and warm. Despite it being winter, the memories we recall over conversation feel warm like spring.
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